One day I picked up a flyer at the public library announcing “Fati & Charles: Enjoy kids music from Latin America.” The design was was simple: all text, no image. With an introduction like that it was going to be pretty hit or miss. However, we didn’t have anything else to do that Friday, so Nayáhuari and I headed out in the rain and arrived a few minutes late only to find our humble neighborhood library transformed something like a kids rock arena. Upstairs in the only open space in the tiny building around 30 Jewish and Chinese kids were jumping and singing at the top of their lungs – in Spanish.
Fati and Charles performing in Sunset Park, Brooklyn.
A Fati and Charles show lasts about an hour and consists of the pair teaching movements to accompany their original songs. During the show the kids dance with hats on their heads and with huge animal shaped sponges in their hands. They throw the props up in the air and then pick them up again, singing “equipo chócalo cinco” and giving high-fives all around. They even stage a protest with picket signs expressing their desire to do it "SOLO." This video does not at all do justice to the infectious collective energy of their live shows (and it's missing the picket signs) but it is one of Nayáhuari’s favorite tracks from their album El Baile del Sombrero.
Fati & Charles wrote a grant to do a series of shows in the public libraries. None of this capitalizing on the wealthy New Yorker market and offering music in Spanish for tots at $300 per semester in rich white neighborhoods. No. Fati & Charles play in the festivals & library circuit—open, public spaces. And as long as they are doing that, their music remains accessible to the little people, which is exactly how music should be.
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