Showing posts with label Amparo Ochoa. Show all posts
Showing posts with label Amparo Ochoa. Show all posts

Wednesday, September 16, 2009

happy birthday to us!

saludos! we first welcomed you here one year ago today, on the fiestas patrias, 16 september 2008. so it's our one-year birthday, hurray ;) muchísimas gracias for finding us here, reading and listening. ¡abajo el imperialismo! ¡arriba el rock en español!

dedications to you from each of us...

thinking about how things (ie- the struggle) are better when done together and this lovely song came to mind. it goes out from me to all of us.

-la cumbiambera


te quiero : amparo ochoa




This song is for all the generations of roquer@s that have kept rock alive for the next generations.

-la pachuquita


Nostalgia : El Tri




this one is an invitation to rebel & take down the pinche sistema, latin american-style, in the streets against the state with pots & pans. ¡vamos camaradas!


-diabólica


la cacerola
: che sudaka







Monday, January 19, 2009

pinche u.s. government, stealing from us again

mierda. mierda. mierda. this makes my stomach turn...

...the Border Patrol now has migracorridos that sing of the danger immigrants face when crossing the border illegally...What Mexican listeners don't know is that the migracorridos are the U.S. government's latest effort to convince migrants to stay home.

: san antonio express-news




foto : sf chronicle

it's not enough apparently to steal our land and our labor. also now our music.

not enough to build a 3-tiered fence, extend it all the way into the ocean, put floodlights and barbed wire on it, and set armed men and dogs to guard it. not enough to enact policies that separate families, that force transnational workers to cross further into the desert where they are more likely to die. no, the migra has to try to disguise state propaganda as popular music and infiltrate the mexican radio airwaves as well. but a song cannot go up against the desire to feed a family... a todos los inmigrantes: que dios los proteja en el camino...

culture is a weapon (thank you, amilcar cabral). time for us to use it against them. ¡la tierra es para quien la trabaja!


**

and now for some corridos de verdad (as opposed to the fake migra-sponsored variety)...

here is amparo ochoa's version of a famous corrido which dates from the days of the mexican revolution:

adelita : amparo ochoa



victor jara (chileno) had such an affection for the corrido that he recorded a mexican revolution one too:

el corrido de pancho villa : victor jara



also here is the obligatory narco-corrido, perfected by los tucanes:

niño de oro : los tucanas de tijuana



and, of course, any proper discussion of these songs should include the beloved corridos of los tigres del norte. and since it's awhile since i posted any rock en español, here are 3 corridos from the tributo a los tigres del norte album, a great compilation of roqueros covering tigres songs.

la tumba falsa : ely guerra



el circo : maldita vecindad



contrabando y traición : la lupita



these lines are from el circo, about political corruption in mexico & the pri party/salinas family despotism. i think they also work for the above-mentioned migra scheme. que se vayan a la chingada esos running dogs.



pura tranza. puro circo. pura farsa.
la misma tranza, la misma farsa, es pura tranza, la misma farsa
pura pura tranza, puro puro circo, pura pura pura pura farsa!


Sunday, November 16, 2008

¡la tierra es para quien la trabaja!

the land belongs to those who work it!


en el campo está el patrón,
los finqueros y asociados,
guardias blancas y matones,
nomás explotando pueblos,
van sacando nuestra tierra.
y allá en las ciudades
los policías corruptos,
los mafiosos y banqueros,
nomás chupando la sange
a la gente, a los obreros.
es por eso que zapata
ahora cabalga de nuevo
la revolución civil
¡viva el autogobierno!

**

in the countryside lives the boss,
the landowners and their associates,
the paramilitaries and thugs,
they go around exploiting people,
and taking away our land.
and over there in the city
live the corrupt police,
mafiosos and bankers,
there to suck the blood
of our people, the workers.
and so zapata mounts again
a revolution against the state
we can govern ourselves!

: el barzón (versión maldita vecindad)




workers in the san joaquin valley, california : 1958
photo by george ballis




clandestine union meeting in the san joaquin valley, california : 1938
photo by dorothea lange




el barzón : amparo ochoa



el barzón :
maldita vecindad

Wednesday, November 12, 2008

A Chicana in China

Two things happened in the past two weeks that inspired me to write this post. Firstly, I accompanied my grandmother on a 9-day trip to China. Secondly, I finally found a recording of this song for which I have been searching for years.
(Photo: La Cumbiambera looking out over the Great Wall of China.)



La Maldición de Malinche – Amparo Ochoa y Gabino Palomares

The China trip was an organized tour which basically consisted of visits to historic sites and an array of state-owned shops specializing in jade, peal, silk, tea, etc. Since we didn’t have much opportunity to wander about on our own or interact with the public, I returned with a feeling that I maybe I hadn’t actually been to China after all. Except, of course, I had been, and even through the windows of a tour bus, there were many things I had the opportunity to observe and reflect on. (Photo: Monday morning rush hour in Beijng)

We began our itinerary at the “Forbidden City,” which is known in Chinese as the “Palace Museum.” This, the old home of the Ming and Qing dynasty emperors, is the largest surviving palace complex in the world and consists of 9,999 rooms. It is 600 years old. Over the next nine days we visited historical sites ranging from a renovated portion of the Great Wall, to the Lingyin Buddhist Temple, which is nearly 1,700 years old and still in active use as a place of prayer. It is most famous for the adjacent mountain into which were originally carved 600 Buddhas (see photo). 300 of these still survive.

As we visited these sites, I was impressed to see how in tact they were. These s
ites have survived centuries of wars, invasions, and revolution. In the past, most of my travel had been within Latin America. I have been to the stripped-down and now colorless remains of Teotihuacan, Tenochtitlan, and Monte Albán in México. I have been to similar sites at Machu Picchu and Saqsayhuaman in Perú. I have even been to Spain—to Granada and Sevilla and Madrid—and have seen where a lot of the splendor of our ancient sites has ended up. I have been to the very port on the Río Gualdaquivir where the stolen gold, jewelry, headdresses, etc. were unloaded. (Photo: Gold from the ancient Americas on display in Granda, Spain in 2007) As I toured China, I reflected on that amazing nation which, throughout the turmoil of history, has never lost control of its own people, of it’s own land. Whether governed by an emperor or the Kuomintang or the Communist Party, China has always been in the hands of the Chinese. Whereas Latin America, as we all know, has suffered the consequences of a brutal invasion, an invasion during which our ancient palaces and places of prayer were deliberately destroyed and torn apart by the colonizers.

I say this not to induce nostalgia nor regret nor any other sentiment that might be accompanied by sighs of “if-only”. What I took away from seeing China’s national treasures still in tact was not a sense of self-pity or sadness for my own people, but rather a sense of pride. Because what I realized was that, even thou
gh in this day and age we can only imagine the splendor of our ancestor’s creations, our historical sites at one time were as detailed and breathtaking as China’s. But more important than aesthetics is the fact that our sites also held as much symbolism and meaning and were constructed with the same degree of science and thoughtfulness and intent as were those of the Chinese. (Photo: roof detail from the Palace Museum)

I do not, however, intend to glorify indigenous imperial powers or systems of class stratification be they Mexica (Aztec) or Inca or Ming or otherwise. There is something to be said, however, for having one’s national history in tact, for being able to look back on the past and claim it and learn from it, for being able to build on it or change it's trajectory as the people see fit. As indigenous people of the Americas, it goes without saying that much of our past was stolen from us over centuries of intentional suppression
and destruction. But this, too, is part of our story. As a Chicana, I feel grateful to have been to China and to have seen the way the Chinese people have cared for their history. I am inspired by their tenacity and by their ability to move forward with new visions of what their future history might be.

Chinese tourist taking a photo of the 600-yr old Temple of Heaven in Beijing